Showing posts with label Christmas reading. Show all posts
Showing posts with label Christmas reading. Show all posts

Tuesday, 4 March 2008

Proust and the Squid or Reading, Writing and Talking


Jeanette Winterson (whose books I always want to like but am unlikely ever to truly warm to as she believes conventional narrative has had its day and is dull, or words to that effect) has been reading Proust and the Squid by Maryanne Wolf which, it seems, is all about reading. It has clearly had a profound effect on her. One of the reasons I keep trying JW’s fiction is because I read her monthly newsletter and am consistently struck by her lucidity, her passion, her engagement with life which amounts to taking it by the throat and squeezing every last drop which can be got out of it.

Anyway, her take on Proust and the Squid is that reading is of vital importance to the development of minds. Well, with my day-job hat on I could have told her that for nothing. Not only reading but its necessary precursor, competent use of language. I have seen so many young children struggle to read because they don’t have the necessary underpinnings of language – it’s like trying to ride a bike when you can’t yet balance well enough to walk.

She makes out a case for our engagement with the problem – support libraries, be on school boards (American term, I assume she means be a school governor) all of which is reminiscent of Susan Hill’s current campaign to support libraries in schools and young offenders’ institutions. And so we should. Libraries are important.

But just as important as reading is talking. One of the reasons we’re such an illiterate society is that we don’t talk to our children, we dump them in front of a DVD and hope that that will foster their language. Well it won’t. No more than you would learn Arabic if somebody dumped you in front of a television screening wall to wall Al Jazeera. Learning language is an interactive process, it takes two.
In that respect reading is similar – you have to be taught. Whatever anybody tells you nobody entirely teaches themselves to read. Somebody has to tell you what these squiggles you’re looking at signify, at the very least.

I’ve always said that writing novels is not a million miles, philosophically, from being a speech and language therapist. Both, fundamentally, are about communication. And I stick by that claim. I do feel passionately about children’s language. I have gone into battle with schools, parents and the state from time to time to get individual children what they need to communicate successfully. So why am I not a full time SLT instead of footling about in the foothills of commercial fiction?
Frankly, because to engage with people – particularly needy people – all day every day it helps if you’re an extrovert. I like people, I’m fascinated by them, interested in them, but they wear me out. Extroverts get their energy from engagement with people, introverts (and I’m guessing that most people who write novels are introverts) get our energy from being alone. At the end of a day as a therapist I would come home utterly drained, totally devoid of the kind of energy writing novels demands.

So, I channel my passion for communication into writing words instead of speaking them. Does it do as much good in the world? I’m not sure. I know that at certain dark periods of my own life reading has shored up my sanity, if not saved my life, so I think books are pretty important. Even on a day to day basis, when my equilibrium is perfect, reading has a huge power and place in my life.
But that doesn’t dull the constant, nagging thought at the back of my mind that I should be out there, helping kids who, without adequate communication skills, will be unemployable and may well resort to crime. In case you don’t believe me, look at the statistics. Over three quarters of those in prison have problems communicating adequately. Whether they become violent because they have no other outlet for their emotions or whether they simply resort to crime as a way of getting money, kids with communication difficulties are horribly likely to end up inside. Particularly if they come from socio-economic groups which can offer no buffer between them and the streets.

All of which brings us a long way from Proust and the Squid. I shall probably read the book, it sounds intriguing and the brain has always fascinated me. But, in the end, will it offer any solutions to the problems of non-readers, those kids who come from homes where the only book is likely to be big and yellow, kids who never see anybody but their primary school teachers (overwhelmingly young women, a group unlikely to act as role models for macho little boys) reading books?

Don’t get me wrong. I haven’t got the answer either. I find the linguistic divide – the linguistic haves and have nots – in this country depressing. I’m not talking about accent or dialect or whether you use ‘were’ or ‘was’ for the first peson singular and plural, I’m talking about the ability to use deductive reasoning, inferential reasoning, to make predictions and see consequences, all of which have linguistic substrates. The knowledge that ‘why’ always entails a ‘because’; that ‘if’ should always be followed by a corresponding ‘then’ (even as in the simplest of transactions ‘If you hit your brother, you will be in trouble’).

In writing novels, am I just pandering to the top half of the linguistic equation – the haves? Inevitably, yes, I am writing for people likely to read.
But maybe, one day, when I have honed my craft to a pitch of something approaching perfection, I will be able to contribute to the other side of the linguistic equation and write in a genre which I hugely admire – the ‘books for reluctant readers’. Books which have to have a story believable and exciting enough for a ten, eleven, twelve year-old boy told in language accessible enough for somebody with a reading age of around six.
I’m not there yet – still working through my linguistic over-achiever stage.


PS By the way, if you're interested in hearing Maryanne Wolf talk about the neuroscience behind the book, there's a great podcast here.

Saturday, 22 December 2007

Reading and writing over Christmas


Firstly, sorry about the abrupt change back to this 'look' for the blog but I was being driven mad by the font difficulties on the other one. Think of it as a new year's resolution, only early.
Anyway, on with the post.
Will I get any writing done over the Christmas holidays? Extremely unlikely – I find it really difficult to work with anybody else in the house, never mind in the same room as me. So, as the Other Half has all of next week off (hooray!) and the Ultimate Frisbee Freak and the Bassist will both be here work on the book will probably go out of the window.
Having said that, there is stuff I can do, editing being a completely different animal to creating something - the difference between washing up and having created the meal in the first place, I reckon – so I may do some of that.

Stephen King, in On Writing, which I had occasion to mention here a while ago says that one of the things you need a first draft for is to see what your book is really about. Not the story, but what preoccupations and themes lie beneath the story. When he comes to read the first draft of a book, about six weeks after finishing it (during which time, he says, it will be ‘aging, and (one hopes) mellowing’) he says he is

‘..looking for what I meant, because in the second draft I’ll want to add scenes and incidents that reinforce that meaning. I’ll also want to delete stuff that goes in other directions.’

I found that an incredibly helpful comment. How, I wondered, have I written four books - one about to be published, for goodness sake! - without knowing that that was what I was supposed to be doing on my read-through of the first draft? Maybe that’s why Testament had to go through so many revisions, because I didn’t really know what it was about until I finally got to grips with my story and got the contemporary narrative to really resonate with the historical thread.

It had always been my intention to have the dual narratives in Testament act as glosses on each other, each informing the reader’s understanding of the other, rather than just have a plot-driven book where the modern-day characters simply needed to solve the mystery of Kineton and Dacre College’s foundation in order to sort out their own, twenty-first century problems. (Though they do that as well.) But I don’t think I’d really worked out what my book was about at a deeper level. Where was it all coming from? Once I’d realised that it was about picking yourself up after disappointments and shattered expectations and living your life with what you had rather than what you wished you had, I was away.

With the work in progress, since reading that piece of advice from Stephen King, I’ve been consciously reflecting on the story every now and again and working out what it is about; what the story means for each of my characters and for the shape and flavour of the book as a whole. I think that’s going to be especially important for the climax – that scene towards which everything should be tending, where tensions are released and disparate strands are brought together made.

I think I might have a go at doing some of that kind of reflection over the holidays rather than trying to move the book forward by producing new stuff. It will probably help when I come to re-start in the New Year as I’ll have an even clearer idea of where the book is going and why. That’s if I can tear myself away from the stack of books I’m hoping to get for Christmas…

Having said that, I’m still working my way through my birthday haul with Karin Slaughter’s Skin Privilege, Joanne Harris’s The Lollipop Shoes, David Mitchell’s Black Swan Green, Peter Ho Davies’s The Welsh Girl and Philippa Gregory’s The Boleyn Inheritance still to read and David Baldacci’s The Camel Club only just started. The joys of being a slow reader!

So, hopefully, it’s going to be a fab book-filled Christmas. Instead of writing, I shall indulge my other passion and read incessantly. But I am slightly worried aobut when I am going to find time to learn how to use the breadmaker I know the Other Half and I are getting from her family. Any tips for machine- breadmaking from book-blog-readers?